#error404 — meaning not found.
This image has no narrative, no moral, no hidden message.
It exists purely as an aesthetic intuition —
a visual impulse captured from Francesco Vernizzi’s imagination.
Edition note:
Part of a limited series of 5 Made in Italy artworks.
Each piece is available as a signed and numbered print (25 pieces per artwork).
This work is built as a layered fiction: an AI–generated creature, another AI artwork, and an entire urban façade turning into a “poster inside a poster”. The aesthetic references feel almost authoritarian — monumental, intimidating, propaganda–like — but the message is the opposite.
“MORE.MUSYC” stands here as a positive manifesto: a celebration of culture, curiosity and sonic exploration. It challenges the idea that powerful visuals must always carry violent, divisive narratives. Instead, it uses the same aesthetic force of regimes and mass communication to say something generous, inclusive and deeply human.
Even the unknown Chinese writing at the bottom becomes part of the mystery: meaning is not imposed — it emerges from context, imagination and personal interpretation.
Edition note:
Part of a limited series.
Available as a signed and numbered print – 25 editions only.
This series imagines a surreal “rat race” where people drive parade dragons like racing karts — a playful collision between childhood wonder, arcade culture and early–2000s excess. There is no hidden meaning, no moral, no forced narrative.
It’s loud. It’s shiny. It’s unapologetically spectacular.
It lives exactly where my aesthetic sensibility was born: early 2000s visuals, pop–culture chaos, glittering fantasy worlds that existed just to mesmerize you. This work celebrates that feeling — the beauty of images that exist simply to be looked at, loved, collected.
Edition note:
Part of a limited series.
Available as signed and numbered prints – 25 editions per artwork.
This series is dedicated to Matt Groening and the universe that shaped my sense of aesthetics, irony and ethics. The first ten seasons of The Simpsons taught an entire generation how to exist: how to fail, how to love, how to mess things up and still somehow find a way back to warmth, family, community. Their morality is rarely explicit — it lives between the lines, in contradictions, in humanity.This piece captures that feeling of being thrown into life: intoxicating, disorienting, overwhelming, bright and dangerous at the same time. There’s the lust of the night before, the confusion of waking up in a world that never fully makes sense, and the strange optimism that maybe, somehow, things will work out.
Like Homer — flawed, chaotic, deeply human — who almost always finds a way to survive, to laugh again, to stay afloat. That’s the hope here: whatever happens next, I still believe in a good ending.Edition note:
Part of a limited series of 4 artworks.
Available as signed and numbered prints – 25 editions per artwork.
This work belongs to a series of embroidered paintings inspired by the universe of electric tattooing, which to me is one of the strongest and most contemporary artistic languages we have today. This specific piece is a personal tribute to Mino Luchena — in my eyes the best tattoo artist not only in Italy, but globally. I’m lucky to know him, and even luckier to carry part of his work on my skin.The original iconography comes from a classic motif revisited by many tattoo artists over time: a tiger resting above skulls, surrounded by lush flora. Here the image mutates into another medium — embroidery — while keeping the same sacred energy.
The piece is produced in Italy using both automatic and semi–automatic embroidery machines, in collaboration with the incredible artists at FA Ricami SRL. It’s a dialogue between tattooing and textile craftsmanship, between machine precision and human devotion.
Edition note:
Part of a series of 3 embroidered artworks.
Available as signed and numbered textile frames – 25 editions per artwork.
This series was born from improvisation — an instinctive visual gesture where I suddenly recognized an aesthetic I’ve always been fascinated by: the gabber universe. Hardcore music, shaved heads under caps worn too high, explosive kicks, rage, adrenaline. It’s not a culture I personally belonged to, yet it’s one I’ve always observed with respect and curiosity.For me, these suns are not just about aggression. They carry the memory of difficult years — moving away from Milan during middle school and facing the loneliness and limitations of small–town life, and later the painful isolation of my master’s year in Bristol, which I experienced almost like a prison.
These faces of light are angry, distorted, burning — but they’re also fragile. They are the aesthetic translation of pain: powerful, loud, distorted, yet strangely human.
Edition note:
Part of a trilogy of artworks.
Available as signed and numbered prints – 25 editions per artwork.
This series is inspired by one of the strongest aesthetic memories of my childhood: the giant TV puppets of the ’90s. From Alf to The Bear in the Big Blue House, from Topo Gigio to the Muppets — those worlds weren’t just visual; they were tactile, material, physical. They existed in a space where fantasy felt real because you could almost feel it with your hands.These monsters reinterpret that language through my current vocabulary: Japanese myth, tattoo iconography, surreal creatures that are both cute and terrifying. They celebrate texture, exaggeration and presence — images that don’t live only in the eye, but in the body, in memory, in instinct.For me, these characters expand the senses we usually use for aesthetics: sight and sound become joined by touch, as if these monsters were not just seen but experienced.
Edition note:
Part of a series of 5 artworks.
Available as signed and numbered prints – 25 editions per artwork.
#error404 — meaning not found.
This image has no narrative, no moral, no hidden message.
It exists purely as an aesthetic intuition —
a visual impulse captured from Francesco Vernizzi’s imagination.
Part of a limited series of 5 Made in Italy artworks.
Each piece is available as a signed and numbered print (25 pieces per artwork).
This series is inspired by the universe of 3D and digital design — a world that has deeply influenced me through the people around me: friends, artists, designers working with virtual bodies, synthetic materials, impossible lights.
These characters are not meant to be “real”. They live in that strange middle ground between human and rendered, between fashion photography and artificial simulation — seductive, uncanny, slightly threatening, almost mythological.For me, these girls are avatars of a new kind of beauty: hyper–constructed, hyper–lit, hyper–emotional. They exist in a space where desire, fantasy, danger and vulnerability overlap. They are digital icons, but they still feel like flesh.
Edition note:
Part of a series of 3 artworks.
Available as signed and numbered prints – 25 editions per artwork.
